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RYAN'S HOPE

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RYAN'S HOPE

When Ryan's Hope premiered on July 7, 1975, it differed from other soaps of the time in several ways. For one thing, it was set in a real life city, New York, instead of in a fictitious suburb of Chicago. Also, the main family was Irish Catholic instead of White Anglo-Saxon Protestant.Ryan's Hope never had blockbuster caliber ratings, but it received enormous critical and industry acclaim in the form of Emmy Awards and Writers' Guild of America Awards.

Theme Song

Ryan's Hope used the same theme music throughout its entire thirteen and a half-year run: "Here's To Us" by Carey Gold.

Opening Visuals

Main title visuals for Ryan's Hope were always shot on location in New York City, and they were designed to help express the mood and theme creators Claire Labine and Paul Avila Mayer wanted for the show. As Manuela Soares put it in her book, The Soap Opera Book (1978), "There is a belief that characters can cope; that the human condition should be celebrated rather than merely endured." (pages 39-40)

During the first few years of Ryan's Hope, the opening featured a mixture of stills and 16 millimeter film footage of the principal actors in character, all shot in character appropriate New York locations. The last shot of the original opening was of Johnny and Maeve Ryan lifting their then-newborn grandson John Reid "Johnno" Ryan up to the heavens as Carey Gold's "Here's to Us" plays in the background in a rather quiet strings, flute and harp arrangement. In The Soap Opera Book (1978), author Manuela Soares interprets the original Ryan's Hope opening by saying, "There is a belief that characters can cope; that the human condition should be celebrated rather than merely endured." (page 36)

The beginning of the 1980s brought numerous changes to Ryan's Hope and to daytime as a whole. Ryan's Hope's ABC Daytime stablemate, General Hospital, had just become a ratings blockbuster because of faster pacing, young storylines, and an infusion of action-adventure. There was growing pressure on Ryan's Hope, which had good, but not great, Nielsen ratings, to incorporate those modern elements that made GH a blockbuster. Also, Claire Labine and Paul Avila Mayer, while remaining headwriters of Ryan's Hope, sold the show to ABC outright, enabling the network to impose its will on the show

Soon after ABC took over complete control of Ryan's Hope, Carey Gold was replaced as principal music composer by General Hospital's Charles Paul, whose cues for the show from 1981 to the Summer of 1983 often had a GH style and sound. The opening was changed during this time also so that instead of shots of the principal cast members of Ryan's Hope, there were panoramic views of New York and shots of anonymous New York City people. This opening's shot sequencewas as follows:

  1. Aerial shot of Empire State Building;
  2. Statue of Liberty;
  3. A ferry boat in New York Harbor;
  4. The Brooklyn Bridge (?);
  5. A kindergarten teacher walking her young charges down the street;
  6. Two children on a swing;
  7. A young couple sharing an apple;
  8. A zoom-in on sunlight reflected on a glass and steel skyscraper;
  9. A wealthy young woman stepping out of a limosine;
  10. Another young couple embracing; and
  11. Boys playing soccer in Central Park.

The title appears on the screen after the freeze-frame of the boys tossing the soccer ball up in the air. There was a new, more uptempo arrangement of Carey Gold's "Here's to Us" theme with this new opening, which ran from the 1980/81 season until early 1983.

After an absence of over a year, Ms. Labine and Mr. Mayer returned to Ryan's Hope as headwriters in early 1983 to try to arrest a ratings decline. The opening changed in early 1983 to once again feature shots of the main cast members playing the Ryans and their friends. And, of course, the opening main title footage was shot in locations around Manhattan.

By no later than March 1984, there would be another more substantial change in the opening of Ryan's Hope. For one thing, the familiar theme, "Here's to Us," switched to an arrangement that had more of a discernable beat. The title logo also changed from Schadow Bold type to a type of lettering similar to that used in the opening titles of ABC's 1970s series Starsky and Hutch. This title logo was used until the end of RH's run in January 1989. During the last five years of Ryan's Hope's run, the opening began to incorporate more and more videotaped footage of the principal cast members until by 1988, the opening montage was almost entirely videotape footage.

End Credits

During the first years of Ryan's Hope, the end credit lettering was in white Grotesque No. 9 Italic, and credits ran over a beauty shot or over a shot of an empty Ryan's Bar. By 1981, end credit lettering was in Souvenir Bold Italic. Credits again usually ran over either a beauty shot or a still of Ryan's Bar. Sometimes, however, the credits would run over a shot of a different empty set featured in that episode. By no later than March 1984, Ryan's Hope's end credits were set in the same Starsky and Hutch-style lettering of the new title logo, and they were now usually run over a series of stills from that day's episode.

 


Here are some links to Ryan's Hope web pages:

Ryan's Hope Page at http://community-2.webtv.net/REIDROBERT/RyansHopeJuly71975/.

Ryan's Hope Index Page at http://members.tripod.com/~marcia_2/ryanhope/ryanphin.htm

Ryan's Bar Online. I recently discovered a new website devoted to Ryan's Hope that has episode by episode synopses and other features. It is located at http://ryansbaronline.tripod.com. Check it out. 


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